October 9th 2026 - Wydoks and NDH rabbit holes
I missed my September update even though I tried several times. I simply didn't feel motivated and worked on other projects. I did mention months ago that work was becoming intensely researched and results in less activity for a while. I wasn't joking! I don't want to spoil every topic and surprise. Here's some hints anyway so you understand productivity behind the scenes.
It's obvious you're looking at the new URL paul-landers.info and realized. The gallery converted to paul-landers.pics (hehe). I opened the Rammstein publication archive to help alleviate fandom disorganization and laziness. It will help with people searching article names, publications, or random citations with dead URLs or things from memory. I will point to articles with an alive URL on my server to be found. The archive runs on Omeka classic as a database back-end, which I customized a theme for. I firmly believe nobody should be gatekeeping and preventing others from learning about this band or making you ask them for information. You should be able to find anything yourself and not rely on others to tell you what to think.
🌻 - I received a few new pieces of merchandise. One was a French PL1 interview nobody has bothered with before. A Live aus Berlin themed official postcard, leaving only the rare Mutter one to go. And a 2005 Rosenrot era pouty man poster for the ladies of an image session very rarely ever printed. It's huge!



There's a variant Paul Staramba figure. This one is 17cm, my old one is 20cm. I wrote about this a little and added everything to the collection page.
🌺 - I solved part of the 2004-05 Ahoi tour rack through brute force against a 329px image corner. As well as finally found visual confirmation of the CAE MIDI controller footswitch I noticed before. Those have both been added to the gear page. My recent French article addresses the Fractal Axe FXII rumor and I'll be putting quotes in once I get someone to look at the text. (Obviously, I can't read it and need to ask for help.)
Speaking of guitar lore, I have a special post about something big to rewrite Paul history books 💅
🌸 - I contacted DEFA/Progress films to get access to the Wydoks collection. This, if you didn't know, was many tapes/films held by Aljoscha's estate that was obtained by the company. These were digitized in very good quality. Many DDR era documentaries use Feeling B b-roll footage from their collection when mentioning the band and show tiny 5-20 second clips.




Currently, the Rammstein fandom acts like they have never seen/accessed these files in their lives. Why not? Because their own statement was: "Alle Kassetten sind vermerkt, in unterschiedlicher Tiefe erschlossen und werden für die Öffentlichkeit zugänglich gemacht. Dokumentation ist alles."
Yeah, well I discovered why fans cannot get in and never try. The DEFA and Progress Films pages are extremely company oriented and talk excessively about licensing. When you explore the catalogs, Wydoks are listed but give you zero clue how to access. Their FAQ page wants you to go to government catalogs without Wydoks, buy DVDs of unrelated films without Wydoks, and heavily suggest only companies/TV people can see anything. So you end up on the Progress Films page and they prompt you to enter a company name as a requirement you cannot bypass. They need to manually approve your account by an administrator afterwards. Which means someone checks your entered form and company name by hand. Without it, you can only see 30 second samples of the start of the film.



Then on the FAQ page you see the dreaded words, as if a manual approval and company name requirement isn't enough to terrorize you: "Unsere umfangreiche Filmdatenbank, darunter Filme in voller Länge, ist exklusiv für gewerbliche Kunden verfügbar, die Recherchen durchführen und Filmmaterial lizenzieren möchten."
Roadblock #1: You need a company name to sign up.
Roadblock #2: You need administrator approval of your account manually.
Roadblock #3: exklusiv für gewerbliche Kunden ("exclusively for commercial customers").
= why everyone gives up instantly before trying or gets booted out
Yeah, well you saw screenshots I've been posting to lead a punchline. Babe, I'm in. I'm in the Wydoks archive touching all the footage like I'm in the pick-n-mix candy store.





I sent German emails to the Progress Films licensing executive and told her I'm interested in buying footage once I know what it looks like. (Because I am.) I explained I'm a researcher of Paul and need primary visual confirmation of equipment that cannot be done from text. I explained to her I am studying amps, guitars, and electronics from DDR musicians. Because, I am!! It's true. I take notes constantly and still have to go through many things slower and repeatedly. This is going to be my next three months. Did you know a 1993 Feeling B show used early fire related stunts? No, it didn't all start with R+ pouring gasoline on the floor. Total Paul game changers are here too. He did not jump Iris → Music Man EVH. He was fussing with a Rickenbacker 610 with hi-gain pickups in 1993 just edges from Rammstein. This Rickenbacker sits inside his house on the wall. That maple + white thing back there.
Excuse me I'm a gewerbliche Kunden!! I will buy full films at a price once I know the most important ones. Then eventually collect them all. Those films are considered private usage prices and un-shareable without consequences. I have to license still-images of Paul one by one. Depending on the cost, I may be able to obtain usage of a special clip. There is one really specific moment where I realized... oh man, I need the video clip to explain this music thing happening with his amp and sound.
And lord, there's footage I didn't need to see. That moment when I'm trying to watch 1992 medieval concert showcase (you gotta see Schneider in this lmao) and it jumpcuts to bare naked men showering mid-song unexpectedly... thanks. It's literally mid-song cut. You think you're safe in the mittelalter videos to watch campy D&D nonsense? Think again. The real Mann gegen mann Paul footage has been in Wydoks the whole time. There's home-movies-esque footage after a concert I was looking at of Paul with girlfriend in a very "I'm dating her" affectionate way (trust me) along with a barely walking child he puts shoes on and ties the laces of. The evidence of what I'm looking at was like a slow realization car crash of knowing you're hit by a truck but being unable to stop it fast enough. By the time you know to react, it's too late. I'm constantly having to tell myself: "this was essentially Aljoscha's home movies dumped into a database indiscriminately." Because a solid 35% feels like I'm inside someone's family tapes I found at a thrift store on a VHS level of discomfort. Some of this looks intended for montages or short segments in Feeling B tapes that never happened, and the rest not meant to be seen/used except privately.
🌷 - There's more I'm hiding in my sleeves! Here's a run down of the near future.
Click for rambles about future posts research observations. It's juicy NDH related gossip for those who know 90s Germany lore.
1. I'm working on Feeling B related articles!! Lots of them. (That's why Wydoks...) Including the 1993-1994 Feeling B / Rammstein transition period and early history of the formation of the band. I've also been reading DDR punk books by Galenza, some contemporary Feeling B articles instead of hindsight, and obtained a book about Hiddensee. By proxy, I might do a Die Firma piece. I'm uncertain and consider this lesser priority. Trötsch revealed why Paul left in a more clear phrase than he ever gave, which helped a lot contextually. Also, a guy (Rex) from Herbst in Peking gave a serious compliment to Paul's role in Die Firma that seemed so fascinating when put against the image of being "Trötsch and Tatjana's band" due to them being the faces.
I edited this into the biography page. I added additional Niki context that every fan is blind to. I discovered when I was looking through DDR materials, that she's not "some wife". She was a soprano singer and sang in bands, including her own. She even was on stage for a Magdalene Keibel Combo cover in Im Nin'alu's key being a part of the Shout, Amadeus, and Der blonde Hans joke.
In the 1991 Die Firma demo cassette, Paul is accredited as sägezahn gitarre (lit. "sawtooth guitar", tl. "serrated/sawing guitar") which is one of the self-referential things on this page for the band roles. It refers to his guitar's sonic qualities of high distortion. In English guitar world, the closest thing I can compare it with is the 'teeth' allegory used for high gain. Same jagged biting sharp image. This is describing his preferable sound as recognizable to his peers ears as sharply high gain distortion before touching metal music. I personally didn't know I took a more German language guitar descriptor most of my life. I've always said "serrated knife"... very close to a sawtooth.
2. Telling the "true" story about Neue Deutsche Härte's phrase history and origins. Including correcting misinformation and debunking Wikipedia (German and English are awful). I'll explain this better than Mühlmann ever bothered. If you'd like to read my precursor fanblog about this topic where I sort out my current thoughts, please go here for that discussion. Otherwise, the article about this is coming. I'm still uncertain if I'll break it up into multi-parts. I may have to because this subject is crazy.










